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by Melisa
Polish trio Melisa combine elements of noise rock, grindcore, mathcore, and sludge with lyrics that balance between poetic and political.
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Mot, the Valuator, Incredible God
by Ox en Mayo Alto
A heavy blend of post-rock and shoegaze from Argentina's Ox en Mayo Alto rides big emotional crests and contemplative valleys.
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The Sleepwalk Transmissions
by We Never Learned To Live
A post-hardcore megalith from the UK: churning guitars, spacey arrangements, and explosive vocals both screamed and sung.
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LAMINATE PET ANIMAL
by SNOWMINE
This is the first in a series of weekly album reviews published by Andrew Dubber. If you haven’t already caught it, please check out his introductory post. There’s been talk of an 80s revival of one sort or another since long before the 80s even came to an end. Some long for the angular rhythms … Continue reading Album of the Week: Laminate Pet Animal →
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Bracing post-hardcore meets festival-ready rock on the Tokyo band's sharp new EP, mixed and mastered by Will Yip (Turnstile, Title Fight).
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Indie rock suspended between youthful ennui and youthful rage, hooky but cerebral and taut with rhythmic tension, just like the 90s.
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Death is Nothing to Us
by Fiddlehead
Boston band featuring members of Have Heart and Basement take their earnest, motivational post-hardcore to thrilling new heights.
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